Championed by Dedicated Volunteers and Hollins Writers and Artists, Artemis Thrives
Reprint from Hollins University Newsletter April 2, 2019
Few publications have celebrated the prodigious talents of Southwest Virginia writers and artists as Artemis.
For the better part of four decades, the literary journal, published annually, has showcased compelling new voices in tandem with notable authors that have ranged from poet laureates to Pulitzer Prize and other major award winners and nominees. The rich history of creativity at Hollins University in the written word and other artistic expression has played an integral role in the success and perseverance of Artemis: Through the years, over 140 Hollins writers and artists, including more than 90 students and 40 professors, have been featured contributors, or have donated their time and expertise as board members for the all-volunteer operation.
“Without Hollins and the direction it provided, Artemis would not have lasted,” says editor and founder Jeri Rogers, who herself is a Hollins alumna, having earned her Master of Arts in Liberal Studies in 1991.
Artemis began in 1977 while Rogers was serving as director of the Women’s Resource Center in Roanoke, sponsored by Total Action Against Poverty (now Total Action for Progress). “I had gotten a grant to do a photographic study of women and in the process found that a lot of my subjects were writers. At the same time, one of the biggest problems I saw at the center was women who had suffered from abuse. That’s a really tough subject to deal with because poverty, drug and alcohol abuse, and homelessness are also involved. It was so upsetting and sad to see this, but I thought, ‘What can we do to help move this forward?’ So, I started a writing workshop for abused women.”
The first workshop, which was run “with the help of some of Hollins’ best writers,” she says, generated “amazing results.” Rogers was inspired to launch a new literary journal that she named Artemis after the lunar goddess. “I pitched the idea and my supervisors were like, ‘go for it, we’ll get some money for you.’ That was how it started and it was such a great vehicle because it published some of the writings of these women and talked about the work we were doing at the center.”
Poems and short stories by Hollins students and professors appeared as well in the debut issue of Artemis, and over the years, contributions from acclaimed Hollins authors such as Professor of English Jeanne Larsen M.A. ’72, Professor of English Cathryn Hankla ’80, M.A. ’82, and Beth Macy M.A. ’93, and artists including Professor of Art Emeritus Bill White and Betty Branch ’79, M.A.L.S. ’97, have been published. Well into the 1980s, Hollins faculty writers including Amanda Cockrell ’69, M.A. ’88 (founding director of Hollins’ graduate programs in children’s literature), Thorpe Moeckel (associate professor of English), and Professor of English Eric Trethewey (who passed away in 2014) continued to play a prominent role in the writing workshops. Rogers notes that “[Professor of English] Richard Dillard got involved early on, and thanks to him, every issue of Artemis is now part of Special Collections at Hollins’ Wyndham Robertson Library.”
The first 20-plus years of the journal’s existence were gratifying yet exhausting for Rogers and her volunteers. During the same time period she was raising three children and working as a professional photographer. Artemis went dormant in 2000 for more than ten years, but its concept and mission never diminished. “There were a number of us who missed it,” Rogers recalls, “and we decided to resurrect it in 2014” with one caveat: “We’ve gotta keep it small.” Today, the Artemis staff features Rogers and just six other volunteers, and she’s emphasized recruiting younger people to ensure the journal continues for years to come.
Rogers admits that producing a “beautifully printed, perfect-bound,” 200-page volume in the digital age “is a challenge. It’s pushing that boulder up that hill. But we don’t give up. There’s nothing like having your work printing in a page form in a book. You can have all kinds of things done in a digital format that are then uploaded to ‘the cloud,’ but how do we know that’s going to be there five years from now?”
Since its return, Artemis has actually seen its print number increase to somewhere between 500 and 600 copies. Most copies are sold for $25 each during a celebration launch event held each year at Roanoke’s Taubman Museum of Art. The official debut of Artemis XXVI, the 2019 edition of the journal, takes place on Friday, June 7, and will feature a special dance performance by the Southwest Virginia Ballet.
Artemis is also made available for purchase online – the journal is planning a pre-sale event for the 2019 edition this spring where the book will be available for $20 – and Rogers says sales have “gone beyond the Blue Ridge Mountains,” reflecting the fact that submissions have been coming in from writers and artists outside the region.
“Among the more than 1,000 submissions we had last year, some came from Italy, England, and France, and we published those,” Rogers explains. “The power of the Internet has helped spread the word about the quality.”
Fittingly, the two featured writers and artists in Artemis XXVI are distinguished Hollins alumnae: Natasha Trethewey M.A. ‘91, Pulitzer Prize winner and former U.S. Poet Laureate, and Sally Mann ’74, M.A. ’75, who was named “America’s Best Photographer” by Time magazine.
“Natasha – you just can’t get much better that that. And what can we say about Sally other than ‘Wow,’” Rogers states. “They both have dealt with being Southern artists and writers, and I think they both really tie into that Southern Gothic scene. Natasha’s poem in the new edition of Artemis addresses racism and is called “Reach.” Sally said she’d be honored to be paired with Natasha, and the image of hers that we’re considering is so good, we think it’s cover-worthy.”
While Rogers acknowledges that she’s “not going to be around forever” as editor of Artemis, she clearly relishes the achievement each edition represents and considers last year’s issue to be her proudest moment. At the same time, she is quick to praise the many volunteers that have supported the journal over the years, noting that “it literally takes a village to sustain the energy needed for Artemis.” Two of the key players since the beginning have been literary editor Maurice Ferguson and Virginia Lepley as design editor. Jeri also recognizes that organizations such as the Taubman, which provides space for the annual issue launch free of charge, and the Roanoke Arts Commission, whose grants have given Artemis crucial financial support.
“When you start something, it’s probably going to work out if you have good intentions,” Rogers concludes. “If it’s egotistically motivated, it’s going to have some problems. It won’t last. All along, during the history of Artemis, there have been people who get on board, are so dedicated to the arts, and want to keep this thing going. I think that’s why we’ve existed as long as we have.”
Top Image: The artwork for the cover of Artemis‘ 2015 issue, created by Hollins Professor of Art Emeritus Bill White.
New Artemis celebrates women in the art
As poetry and essay submissions began to arrive for this year’s issue of Artemis Journal, editor-in-chief Jeri Rogers discovered that the chosen theme, “Women Hold Up Half the Sky,” had struck a chord.
“We had such an overwhelming response,” she said. “It obviously hit the target and spoke to a lot of people.”
The result, the 25th issue of Artemis, will premiere May 4 at the Taubman Museum of Art with a reading by this year’s featured writer Sharyn McCrumb, author of many New York Times best-selling novels. The abundance of riches from contributors resulted in a much thicker issue than usual.
“It’s about twice as big as we normally publish,” Rogers said. Though Artemis focuses on the arts community in the Blue Ridge Mountains, the journal accepted work for Artemis XXV from contributors who live well beyond Southwest Virginia, including a poet from Italy. “We’re just amazed at the amount of submissions and wonderful writers,” Rogers said.
The 200-page issue was funded in part by a $2,500 grant from the Roanoke Arts Commission and features poetry from former U.S. Poet Laureate Natasha Trethewey and other poets with regional ties such as Nikki Giovanni, Jeanne Larsen, Judy Light Ayyildiz, Marly Youmans, Adrian Blevins, and many more. The issue also includes art by Betty Branch, Lucy Hazlegrove, Donna Polseno, Gina Louthian-Stanley, Michele Sons and other Southwest Virginia artists.
With cover art by Roanoke artist Tricia Scott, Artemis XXV is bookended by two works of fiction. McCrumb, who lives in Roanoke County, contributed an excerpt from her 2003 Civil War novel “Ghost Riders,” about a woman who plans to follow her husband by dressing as a man and joining the Confederate army.
The excerpt, which opens the issue, shares the narrator’s thoughts as she prepares to follow through on this rash and daring plan. She reflects on the death of her baby and how it didn’t seem to move her husband as deeply as it affected her. “So I just shut up my sorrow, and I thought, ‘There ain’t no percentage in being a woman.’”
The final short story, “Equality Day” by Blacksburg author Mindy Quigley, is a cautionary tale of science fiction, imagining a future in which “equality” has been achieved by eliminating all physiological differences in people. The story is the winner of the $100 Artemis Journal/Light Bringer Award, a competition for sci-fi stories with feminist themes that the journal co-sponsored with the Light Bringer Project (a California nonprofit) and the Hollywood chapter of the National Organization for Women.
Though she has published a series of mystery novels, Quigley hadn’t tried her hand at science fiction before. “Although it’s a small, personal story, the underlying themes are perhaps my reaction to the current political climate and my response to those who believe America should be a white, Christian country.”
Artemis intends to donate 10 percent of the proceeds from sales of this issue to the Women’s Resource Center of the New River Valley in Radford.
Artemis has been around for 40 years, but this issue doesn’t commemorate an anniversary, as the Roanoke Valley-based literary journal had been dormant for more than a decade when Rogers and her crew of volunteers revived it in 2013.
Artemis began in 1977 as a publication of the long-defunct Women’s Resource and Service Center, a project of Roanoke nonprofit Total Action Against Poverty, now Total Action for Progress. Rogers, a photographer originally from Texas, was the center’s first director. In the beginning, Artemis only published work by women.
Rogers, 71, who lives in Floyd, said her love of books and the printed word drives her to keep Artemis going. “I feel as though this is my life’s mission. I get so much joy out of putting this project together,” she said. “It’s my way of giving back to the universe … I see the benefits of creating community through art and the written word, and how it brings people together.”
Artemis Literary Editor, Maurice Ferguson honored with mural in downtown Roanoke
Editor, Jeri Rogers and Maurice Ferguson. Literary Editor interview with Book City
Rogers: The power of art
By Jeri Rogers, Founder & Editor or Artemis Journal
While most of us are distracted by the trendy and fashionable, what really sustains, enriches and heals us are the arts and their legacy. Artists and writers are our visual story tellers, creating bridges of understanding and healing.
I know this from a personal level. I was raised in southwest Texas. The art of Georgia O’Keefe, Monet, Ansel Adams and Picasso were my early artistic influences. “Earth laughs in flowers” by Ralph Waldo Emerson reminds us with his unique vision into the natural world. “Keep love in your heart. A life without it is like a sunless garden when the flowers are dead”.
Through my own path of discovery, photography was my choice of medium and I used the camera to open up new doors of my awareness for personal growth. As an advocate for the healing power of art, I used art and writing in my approach to life and they were the philosophy behind creating writing workshops for the clients at the Women’s Center in 1977 when I was director.
The origin of Artemis started there and was rooted in social activism at the Women’s Center. As a counseling center for women facing problems ranging from physical abuse, housing, food stamp assistance, employment counseling and alcoholism, writing workshops were created to help our clients work through their problems.
At the center, I saw first-hand the healing power of the arts and journal writing through the workshops which enhanced the well-being of our clients. The poems, essays and art created hope and optimism that were needed to remind the women that not all is lost and there is still good in the world.
The earliest known and most celebrated journalist was Leonardo da Vinci. He was a remarkable genius who used art note booking or art journaling as a powerful tool to expand the mind and enhance creativity. Around 1508, Leonardo bound his manuscripts by folding and sewing a stack of paper down the center. His innovative process is shared by many writers, engineers and designers using this powerful tool to enhance thinking on paper and creativity.
Many artists have shown us their personal healing through their own expression. Frida Kahlo transcended her emotional and physical pain through her portrait painting. Henri Matisse found a second life through his art after his cancer diagnosis. Florence Nightingale, the modern nursing founder proclaimed “Variety of form and brilliancy of color in the object presented to patients are actual means of recovery.” Many experts today believe that art in a patient’s environment helps them to heal faster. According to scientific evidence, nature’s images can reduce anxiety, pain and stress.
Our mission at Artemis is to promote and foster excellence in the arts and literature in the Blue Ridge Mountains and beyond. We believe that supporting the arts and literature enriches everyone’s lives in our community.
This year’s featured guest writer is Ron Smith, Poet Laureate of Virginia and guest artist is Roanoke Sculptor, Betty Branch. Continuing in our tradition, Artemis 2016 is presenting a number of first-time published poets and artists, along with many distinguished published contributors.
Ron Smith is currently the appointed poet Laureate of Virginia, the highest honor that can be bestowed upon a writer in our state. This recognition comes to him after many well-received publications. He is the author of “Running Again in Hollywood Cemetery,” “Moon Road” and “Its Ghostly Workshop.”
Betty Branch, our guest artist, nurtured Artemis Journal by previously serving on our Board of Directors and she has graced many of the past Artemis Journals with her art. Her sculptures can be found throughout the Roanoke Valley-in the downtown library, at the Taubman Museum of Art, and at Hollins University. Her work has been exhibited far beyond the Roanoke Valley, as well as in New York, and in the beautiful Brook Green Gardens of South Carolina.
Roanoke is fortunate to have a wonderful museum, the Taubman Museum of Art and the Arts Commission of Roanoke to promote and showcase the arts in our region. Both organizations are co-sponsoring the launch and publication of the 2016 Artemis Journal.
The launch celebration of the 23rd Artemis journal will be held at the museum on Friday, May 6 honoring our guest writer, Ron Smith and guest artist, Betty Branch. The reception begins at 6:30 p.m. with a wine and cheese reception followed by a Ron Smith’s talk at 7 p.m. The event is free and open to the public and the Artemis Journals will be available for purchase.
Jeri Rogers interview with Chris Cooper
Jane Goette, Associate Editor, essay in Roanoke Times
Rogers: Artemis still celebrates ‘season of women’
By Jeri Rogers, May 4, 2017
Rogers is editor and founder of Artemis Journal.
Our president has finally accomplished what he promised to do and has signed a law to trim federal aid to Planned Parenthood. This follows the historic Women’s March earlier this year. President Trump has chosen to ignore millions of women and men who stand for the freedom of choice of reproductive rights for women. This type of attack on Planned Parenthood puts women at risk, especially those that are under-served in rural communities by making it harder for women to have wellness and health services.
I often wonder who are the women and men who voted for the president. Who are those voters who choose to believe that the status of women is safe, did not march or do not identify with our cause? The Women’s March last January by millions ignited the recognition that women’s rights are human rights. We are all better off; our families, our communities, our businesses, our education and our health thrive with equal rights. In the world scale, the United States ranks 45th for women’s equality, behind Cuba, Philippines, Jamaica and Rwanda.
Yes, I marched in the Women’s March in my hometown of Floyd along with millions of other women and men around our country and the world. I marched because I believe our equality as women is an illusion and in grave peril of disappearing with our current president. It is time to open our eyes to the fact that we women are not equal.
In 1976 I was director of a Women’s Center at the Roanoke YWCA, which was co-sponsored by TAP (Total Action Against Poverty). Bristol Hardin, then the director of TAP, convinced me that my interest in art and social issues could be entwined. In order to entice me to take the job, TAP awarded a grant for me to do a photographic study of women along with opening the Women’s Center. It was an offer I could not refuse and I set out to photograph women while operating the center. After one year, the photographs resulted in a one-woman show titled “Season of Women.”
During this time, inspired by the talented women I met while photographing, I asked them to volunteer to teach writing workshops for the abused women clients at the center. Introducing writing as therapy I witnessed a remarkable healing transformation with the abused women. Finding their voice with writing assignments, I then decided to create a publication for the women showcasing their writing. For the first three years, 1976-1979, Artemis was a feminist journal and then enlarged its scope to include men, as contributors and board members.
Celebrating our 40th anniversary this year, Artemis still carries the torch for equality giving a voice to the artists and writers who share in these ideals of equality. Artemis, namesake of our journal and goddess of light, had the divine duty of illuminating the darkness. Often she is depicted carrying a candle or torch, lighting the way for others and leading them through territories yet uncharted. Known as the chaste Greek goddess associated with the moon and hunt, her connection with the natural world symbolized her own un-tamed spirit. She became the patron saint of women, childbirth, protector of wild animals, virgins and the powerless. And she became the patron goddess for our journal Artemis.
In 1976, with my young idealism, I believed it was the “Season of Women” and never thought 40 years later I would be expressing my worries and concerns over our fragile rights as women. So our conversation continues as women come face to face with the real possibilities of losing their health insurance, their freedom of control over their bodies and work-balance issues. Our equality as women is an illusion and the threats to our status are very real. So for those who do not believe in these dangers, I will continue to march and be vigilant for them. Perhaps this year of 2017 will actually be the “Season of Women.”
The launch of Artemis 2017 will be held Friday at the Taubman Museum of Art featuring guest writer, Nikki Giovanni. For more information, see www.artemisjournal.org